Hunter's Weekly Album Mini-Reviews

April 3, Thundercat – Distracted

Thundercat, Distracted ⭐️⭐️⭐️⭐️❌ Thundercat is back with his first album in six years. Thundercat being of course famed bassist Thundercat, and not a titular Thundercat from the 1980s cartoon. Although, maybe one of them is also dropping an album. I don’t know what they’ve been up to since their show ended. But anyways, this album is really great. If you’re in the mood for some easy listening, yet interesting, R&B with some Star Wars references sprinkled in, then you are in luck. There are also multiple cameos on this album. Tame Impala, Flying Lotus, and Lil Yachty all featuring. And...

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March 27, Courtney Barnett – Creature of Habit

Courtney Barnett, Creature of Habit ⭐️⭐️⭐️⭐️⭐️ Courtney Barnett is finally back with a new album after five years of waiting. I mean, technically she did release End of the Day in 2023, but it was an instrumental soundtrack. This is also her first release not on the now defunct Milk Records.  This is very much a Courtney Barnett album, in that you get the eclectic, almost awkward musical excursions, and the wisdom seeking lyrics. But this album is probably her most varied yet. Her albums always kind of have a unified sound, but on this one, from song to song...

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March 20, St. Vincent – LIVE IN LONDON!

St. Vincent, LIVE IN LONDON! ⭐️⭐️⭐️⭐️⭐️ St. Vincent is back with a live album. Somehow I had no idea this was coming out, so this was a nice surprise. This was recorded with the Jules Buckley Orchestra backing her, and holy jeez is it great. I mean, St. Vincent has always written these huge, epic sounding songs. So to hear them with a full orchestra backing? It just makes them even more powerful sounding. The orchestral arrangements are beautifully and skillfully done, too. Sometimes they are more faithful to the source material, and other times they deviate wildly. For example,...

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March 13, Kim Gordon – Play Me

Kim Gordon, Play Me ⭐️⭐️⭐️⭐️❌ Sonic Youth alum, and indie rock legend, Kim Gordon is back with a new solo album. It’s called Play Me, which is actually a very helpful title. I wish more albums would come with instructions. This album continues her experimentations with trip-hop music with producer Justin Raisen. Musically, it’s very potent, and lyrically very stream of consciousness, almost free verse at times. I think this sound suits her and her style well. It’s kind of the natural progression in my mind. It just makes sense. The production is top notch. It keeps you unnerved, which...

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